![]() ![]() ġ8 “New Text: An Exhibit about the Literary and Artistic Explorations into What It Means to Read, Write, and Create,”. Ryan House and I were responsible for adding content.ġ7 “Electronic Literature and Its Emerging Forms,” curated by Dene Grigar and Kathi Inman Berens. ġ4 Consultants working with Stuart and me on the grant were Anne Basalmo, Tara McPherson, Ted Striphas, Joseph Tabbi, and Will Luers.ġ5 “Pathfinders: Documenting the Experience of Early Digital Literature,”. She also discusses this topic in her ground-breaking book, Electronic Literature: New Horizons for the Literary, Notre Dame, IN, Notre Dame University Press, 2008.ġ3 “Visionary Landscapes: The ELO 2008 Conference & Media Art Show,”. ![]() See “Electronic Literature: What Is It?” at. Some like Sarah Smith’s King of Space were produced before the company had licensed Storyspace and so were not easily moved to a different platform.ġ2 Hayles dates early electronic literature into two generations with the break between the two taking place in 1995. Belinda Barnet gives an in-depth history of hypertext authoring systems in her book Memory Machines: The Evolution of Hypertext, London, UK, Anthem Press, 2014.ġ1 Not all of Eastgate Systems, Inc.’s titles were migrated from floppy disk to CD-ROM technology. Ĩ By this term I mean works that pre-date the introduction of the browser in the mid-1990s and the mainstream use of the World Wide Web.ĩ A good description of Storyspace software can be found at. ħ For a fairly complete list of Eastgate Systems, Inc.’s work, visit. ![]() Ĥ “Michael Joyce: An Inventory of His Papers at the Harry Ransom Center,”. ģ “The Deena Larsen Collection,” “The Bill Bly Collection,”. Rubenstein Rare Book & Manuscript Library,”. Notesġ “Electronic Literature Organization,”. She also directs the Electronic Literature Lab at WSUV. Buchanan Distinguished Professorship by her university. She is President of the Electronic Literature Organization, Associate Editor of Leonardo Reviews and Literary Studies in the Digital Age (LSDA), and a series editor for Electronic Literature, with Bloomsbury Press. With Stuart Moulthrop (U of Wisconsin Milwaukee) she developed the methodology for documenting born digital media, a project that culminated in an open-source, multimedia book, entitled Pathfinders (2015), and book of media art criticism, entitled Traversals (2017), for The MIT Press. She also curates exhibit of electronic literature and media art, mounting shows at the British Computer Society and the Library of Congress and for the Symposium on Electronic Art (ISEA) and the Modern Language Association (MLA), among other venues. She has authored 14 media works such as “Curlew” (2014), “A Villager’s Tale” (2011), the “24-Hour Micro E-Lit Project” (2009), “When Ghosts Will Die” (2008), and “Fallow Field: A Story in Two Parts” (2005), as well as 54 scholarly articles and three books. Dene Grigar is Professor and Director of The Creative Media & Digital Culture Program at Washington State University Vancouver whose research focuses on the creation, curation, preservation, and criticism of Electronic Literature, specifically building multimedial environments and experiences for live performance, installations, and curated spaces desktop computers and mobile media devices.
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